Jon Erwin 谈 Seedance 2.5 如何改变好莱坞制作流程
The real change isn’t speed. It’s that the gap got smaller. I used to spend a lot of time turning what was in my head into something the team could actually react to — boards, temps, rough approximations. Now I can put a light, a mood, a space in front of people fast enough to test it, kill it, or keep it while the idea is still fluid. What that changes in practice: Actors don’t have to put their bodies on the line for every high-risk beat. The performance stays human; the danger and the scale move into the environment. Assets stop being disposable and start living in the pipeline. For the people running the show, the bigger shift is earlier visibility. More decisions get pulled upstream. You see problems sooner. You can still change direction without burning half the schedule. Jon Erwin just walked through a real Hollywood workflow that does this — AI-assisted, still centered on the actor, with tools like Seedance 2.5 in the mix. The tools are getting good enough. The hard part is sti
Jon Erwin 展示了一套以演员为中心、AI 辅助的好莱坞制作流程,其中用到 Seedance 2.5 等工具。核心变化不是速度,而是创意到可视化的差距缩小:灯光、氛围和空间能快速呈现给团队测试或否决。演员不必为每个高风险镜头亲自上阵,危险和规模转移到环境中,决策也更早前移。
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AI consultant | film director | sharing practical ways to use AI for you and your business. all views are my own.
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